Diego recaps the fun of The MEG-A-THON!
People Are Many Things: Anatomy of a Murder (1959)
Otto Preminger’s groundbreaking film details its courtroom drama like few do.
The Art of Performance in Bo Burnham's Eighth Grade
Burnham’s debut is the rare coming-of-age story that makes the specific anxiety of adolescence truly universal.
Handling the Truth: A Few Good Men (1992)
Rob Reiner and Aaron Sorkin’s courtroom drama is one your dad is sure to love.
Ewan McGregor: A Retrospective
From Shallow Grave to Christopher Robin, it’s time to dig into the career of this under-appreciated actor.
A Recap of Scruffy City Film Festival 2018
Reid recaps last weekend’s Scruffy City Film Festival in Knoxville.
Blue is Glue, Red is Dead: Mission: Impossible - Ghost Protocol
Breaking down the fourth installment’s action set pieces that blend spectacle and tension.
Something Like a Gunshot: The Man From U.N.C.L.E. (2015)
The star-studded spy comedy is charming and sexy, and deserves a second look (and a sequel).
That’s Not Impossible: The Burj Khalifa in Mission: Impossible - Ghost Protocol
Reaching new heights with Tom Cruise risking his life 2,000 feet in the air.
That’s Not Impossible: The Bridge in Mission: Impossible III
Breaking down one of the most iconic moments in the Mission: Impossible series.
Desperate Times, Desperate Measures: Mission: Impossible - Rogue Nation
Director Christopher McQuarrie keeps with tradition while bringing something new to the franchise.
That's Not Impossible: The Motorcycle Fight in Mission: Impossible II
The franchise goes from slow burn to adrenaline-fueled, as exemplified in its final action sequence.
That's Not Impossible: The Vault in Mission: Impossible
Brian De Palma brings his signature high-wire tension to this standout set-piece.
Finding the Rabbit’s Foot: The J.J. Abrams Equation in Mission: Impossible III
In his directorial debut, the creator of Alias makes a perfect pairing with Tom Cruise and Ethan Hunt.
Redefining Masculinity: Vincente Minnelli's Tea and Sympathy
It’s hard out there for a 50s teen.
Tom Cruise: The Last Great Special Effect
Tom Cruise has become just as committed a stuntman as an actor these days. Joey Aucoin talks about why that’s been so effective.
Here We Go Again: Our Favorite Jukebox Musicals
The TFS Staff highlights a few favorite Jukebox Musicals.
A24: The Makings of an Independent Film Empire
Tracing the history of one of the best film distributors around.
The Master of Disaster and The Towering Inferno
A look back at legendary Hollywood producer, Irwin Allen.
"It's a Cheerocracy": Peyton Reed's Bring It On (2000)
Bring It On is a “full-on musical farce“ and a great example of why Peyton Reed was a great fit for Ant-Man.