Mike (@mumbles3k) and Max (@JMaxHegel) are watching all of Orson Welles’ directorial efforts leading up to The Other Side of the Wind, the director’s new film set to be released over 30 years after his death. Here, they discuss The Lady from Shanghai, a film that, surprise, isn’t as good as Citizen Kane! How can this be? Your hosts are thoroughly perplexed by the plot and the many, many white guys running around in this movie, with all that being said, how does it stand as Welles’ fourth directorial feature? Listen and hear their thoughts.
The following is based on true podcast events.
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