Mike (@mumbles3k) and Max (@JMaxHegel) are watching all of Orson Welles’ directorial efforts leading up to The Other Side of the Wind, the director’s new film set to be released over 30 years after his death. Here, they discuss another one of Welles’ Shakespeare adaptations, Othello, aka The Tragedy of Othello: The Moor of Venice. As his first independent production, does it hold any weight to his previous work? Does—wait, is that Orson Welles in blackface? Is that his real hair? Umm. Okay, we need to talk about that…
Keanu Believe It, definitely my favorite podcast.
We see a new podcast series.
Over 30 years after his death comes Orson Welles’ final film.
Beat poet and Thomas Jane fans will appreciate this more than Keanu fans.
Big Mane Energy.
F is for do yourself a Favor and listen to this episode.
The Immortal Story sure is a short story; whether it’s good or not is another story.
We aren’t really feeling Feeling Minnesota.
Welcome to Orson Welles’ Falstaff Cinematic Universe.
Hey guys, the government is bad; want to see a movie about it?