The final installment of our long running column aptly finds Manish exploring Hitch’s final film, this black comedy starring Bruce Dern and Karen Black.
All in Beginner's Hitchcock
The final installment of our long running column aptly finds Manish exploring Hitch’s final film, this black comedy starring Bruce Dern and Karen Black.
Hitchcock’s dabbling in the screwball comedy arena is more interesting than entertaining but has a terrific lead performance from Carole Lombard.
Even with an ambitious opening and a phenomenal performance from Marlene Dietrich, this mystery is ultimately middle-of-the-road Hitchcock.
A look at the charming and visually inventive romantic comedy from Hitchcock’s silent era.
While this early film from Hitchcock has hints of where his career was headed, it’s one of his least compelling efforts.
One of Hitchcock’s last films, Topaz is an overlong but often exciting spy thriller.
In our Beginner’s Guide to Hitchcock, we take a look at a little known musical (!) called Waltzes From Vienna.
This lackluster romantic drama from Hitchcock’s silent era would have benefitted greatly from being made later in his career.
A dry and predictable mystery thriller that, despite a stellar cast, is rightfully considered lesser Hitchcock.
Hitchcock ends one phase of his career with this, unfortunately unmemorable, film.
The movie involves a chorus girl, but the story behind the scenes is much more interesting.
This WWI-set espionage thriller has some similarities to a superhero blockbuster.
Murder and theatrics are on deck with a truly interesting early Hitchcock film.
Don’t let the title confuse you, this is Hitchcock film that’s very much an “assignment film”.
Hitchcock’s early screwball comedy shows signs of his knack for visual humor.
This Oscar-nominated Hitch thriller set its psychological game in the battlefield of a marriage.
This forgotten attempt at parody from Hitch should probably stay that way.
Hitchcock wasn’t too fond of this, his final silent film, but it still holds some of his trademark flourishes.
This Henry Fonda starrer is one of Hitch’s least stylish and most grounded works.
Manish takes a look at his favorite film and its meaning in the #MeToo era.