On how Leigh Whannell’s film treats its central final girl, for good and bad.
All in Beyond the Final Girl
On how Leigh Whannell’s film treats its central final girl, for good and bad.
On witches in horror; more specifically, those in Luca Guadagnino’s Suspiria.
From suffering to a smile, and the bodies piled up along the way.
On how Coralie Fargeat’s debut feature shifts away from the traditional male gaze leaving behind the gratuitousness.
How Ari Aster’s debut film defies the lazy ‘possessed woman’ characterization.
On the female hero and villain dynamics of Jordan Peele’s film, and how they’re flipped.
A look into how the 2014 horror film breaks the Final Girl mold.
In the first in her new column, Hannah dives into the complex horror elements of Lynne Ramsay’s film.