The antichrist is nun too happy.
All in Reviews
SXSW 2024: Immaculate
Sydney Sweeney’s new horror film isn’t quite immaculate, but it’s still a bloody good time.
SXSW 2024: I Love You Forever
The film by Cazzie David and Elisa Kalani is a smart anti-romantic comedy.
Review: Love Lies Bleeding
The new film by Rose Glass is jaw-dropping.
Review: Jurassic World Dominion
The Jurassic Saga goes out with a whimper.
Review: Doctor Strange in the Multiverse of Madness
Sam Raimi shows the kids how it’s done.
Review: Jujutsu Kaisen 0
The prequel film of the popular anime is a sight to behold.
SXSW 2022: Everything Everywhere All at Once
The Daniels’ film is a multi-dimensional visual feast with a beautiful story about family, unlike anything you’ve seen.
SXSW 2022: In the Court of the Crimson King
The music doc is thoughtfully more about the human connection than the band King Crimson itself.
SXSW 2022: Deadstream
The theatrical experience is alive and well thanks to this horror-comedy.
Review: The Adam Project
Deepfakes aside, the latest Levy-Reynolds collabo is a surprisingly entertaining film.
SXSW 2022: Bad Axe
A personal and essential documentary that chronicles the good and bad of America in 2020.
SXSW 2022: Chee$e
Damian Marcano’s feature film is a trip to the islands, in more ways than one.
Review: The Batman
The Bat, the Cat, and the Penguin. All in Matt Reeves’ batsterpiece.
Texas Chainsaw Massacre (2022)
The latest requel does the legacy of the classic original film no favors.
Review: Bad Luck Banging or Loony Porn
A chaotic look at life in Romania in the age of the pandemic and leaked sex tapes, in three acts.
Review: KIMI
Soderbergh’s latest is a well-crafted thriller that’s some of the best work he’s done in years.
Review: Moonfall
Roland Emmerich’s latest is a popcorn movie in the most old-school sense of the term.
Review: Jackass Forever
Cinema is back!
Review: Azor
Andreas Fontana’s film is a beautiful but ultimately aimless carousing through Argentinian royalty.