The prequel film of the popular anime is a sight to behold.
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A brutal revenge film that smartly doesn’t shy away from each bloody step of said revenge.
A delightfully inventive picture that doesn’t quite coalesce in the end.
Adam Rehmeier’s film is a scathing indictment of the Trump era as well as a darkly comedic rally cry of punk love.
Morgan S. Ingari’s debut feature is a portrait of changing lives, through a unique, funny, and queer lens.
Shaka King’s film is a potent reminder that change is hard fought and even harder won.
Ajitpal Singh's sublime feature film debut humanizes its characters in a real, respectful way.
Writer-director-star Carlson Young’s film is an impressive, yet inconsistent, fantasy-horror film.
The film by Karen Cinorre is a visual marvel that mixes war drama with The Wizard of Oz.
Erin Vassilopoulos’ film is a sweet and nightmarish vision of suburban sisterly love.
The idiosyncratic film signals the arrival of a major new talent in Jane Schoenbrun.
An interesting concept falls a little flat in this apocalypse drama.
Rebecca Hall’s directorial debut is a powerful story of race and identity and one of the best of the Sundance fest.
A woman goes on a journey of self-discovery by way of video nasties.
The latest from Ben Wheatley goes for the experimental and the traditional with varied results.
Brandon Cronenberg’s latest is a completely absorbing, disturbing watch, and visceral in every sense of the word.
As part of his Small Axe series, Steve McQueen’s new film recounts true life events that feel immediately prescient.