The new installment of the sci-fi anthology is the messiest yet, but still worth a look for fans.
All in Reviews
The new installment of the sci-fi anthology is the messiest yet, but still worth a look for fans.
In The 15:17 to Paris, Clint Eastwood captures a real life hero story with questionable end results.
The new Cloverfield is super trippy, taking the franchise to a new direction with mixed results.
Winchester can't decide if it wants to be a Gothic period piece or jump-scare exercise.
Japanese auteur Kiyoshi Kurosawa's departure into sci-fi is equal parts unsettling and touching.
David Wain's latest manages to be an appropriate portrait of a truly messed up, yet funny, man.
Ayer's latest, and Netflix's first foray into the blockbuster game, is a complete mess.
The latest Alexander Payne film has big ideas, but leaves more than a little to be desired.
As a based-on-a-true-story kidnap thriller, Ridley Scott's latest is not worth the ransom.
Father Figures is an unexpected trek into the heart of darkness. Will explores its depths.
Luca Guadagnino's latest is one of the best-looking, best-acted, and best-written films of the year.
Rian Johnson's respect for the new and the old makes the latest Star Wars film another excellent space adventure.
The new Jumanji film is a fun diversion with some stand-out comedic performances.
Margot Robbie's performance grounds the tragic tale of the real-life figure skater.