Netflix brings Orson Welles’s final masterpiece to a screen near you.
Review: Hunter Killer
The sub-genre gets an adequate addition.
Review: Bad Times At The El Royale
There are plenty of good times to be had at The El Royale, even if the mystery never quite adds up.
Review: Apostle
A mashup of supernatural horror and period piece that mostly works.
Review: First Man
Damien Chazelle’s latest is a harrowing and humane examination of an icon.
Review: Halloween
Jamie Lee Curtis is back in the Halloween follow-up fans have been waiting for.
Review: A Star Is Born
Star turns from both Lady Gaga and director, Bradley Cooper, make A Star Is Bornˆa tale worth telling again and again.
Review: Venom
Venom is a fascinating failure, thanks mostly to whatever Tom Hardy is doing.
Review: Assassination Nation
Great themes are often undercut by stylistic choices in this timely but uneven teen thriller.
Fantastic Fest 2018: Destroyer
Karyn Kusama and Nicole Kidman bring you one of the best films of the year.
Fantastic Fest 2018: Suspiria
Guadagnino’s take on Suspiria honors the original while cutting its own path.
Review: The Old Man and the Gun
If this is truly Robert Redford’s last film, it’s a fun and fitting send-off.
Fantastic Fest 2018: Hold the Dark
Saulnier continues to impress with this tense and brutal thriller.
Fantastic Fest 2018: Climax
Time to take another trip straight to Hell with Gasper Noé.
Fantastic Fest 2018: The Night Comes for Us
The latest from Timo Tjahjanto is one of the best, blood-soaked action films in some time.
Review: Mandy
The new film starring Nicolas Cage is a fresh scream into the void.
Review: The Predator
While there’s enjoyment to be found, Shane Black’s latest could have been so much more.
Review: White Boy Rick
A crime drama that never rises to the potential of its compelling true-life story.
Review: Kin
How do you stop a bad guy with a gun? A small kid with a future gun.
Review: Crazy Rich Asians
A familiar romantic comedy that turns out to be an all-around crowd-pleaser.