Hitchcock’s dabbling in the screwball comedy arena is more interesting than entertaining but has a terrific lead performance from Carole Lombard.
Hitchcock’s dabbling in the screwball comedy arena is more interesting than entertaining but has a terrific lead performance from Carole Lombard.
This week Marcus heads to Fort Knox and finds the quintessential Bond film.
On the act of self-actualization in the first two films of Shyamalan’s trilogy.
Even with an ambitious opening and a phenomenal performance from Marlene Dietrich, this mystery is ultimately middle-of-the-road Hitchcock.
A look at the charming and visually inventive romantic comedy from Hitchcock’s silent era.
Marcus begins his journey of watching the adventures of 007 for the first time.
While this early film from Hitchcock has hints of where his career was headed, it’s one of his least compelling efforts.
Fame makes a man take things over. Fame lets him loose, hard to swallow.
One of Hitchcock’s last films, Topaz is an overlong but often exciting spy thriller.
Saddle up, partner. You’re going to need to watch the new Coens’ movie.
This column focusing on female directors turns its eye to Marielle Heller’s latest, a thoughtful and sad true crime story.
In our Beginner’s Guide to Hitchcock, we take a look at a little known musical (!) called Waltzes From Vienna.
This lackluster romantic drama from Hitchcock’s silent era would have benefitted greatly from being made later in his career.
Grab some liquor, cocaine, LSD, and a ten-foot chainsaw, you’re going to need all of it.