Show notes for Episode 4.
Show Notes on Dream a Little Deeper: Fantasia
Notes on Episode 3.
Show Notes on Dream a Little Deeper: Pinocchio
Notes on Episode 2.
Show Notes on Dream a Little Deeper: Snow White and the Seven Dwarfs
Notes on Episode 1.
Beyond the Final Girl: The Invisible Man and The Horror of Gaslighting
On how Leigh Whannell’s film treats its central final girl, for good and bad.
Beyond the Final Girl: Suspiria and the Power of Witches
On witches in horror; more specifically, those in Luca Guadagnino’s Suspiria.
Beyond the Final Girl: Midsommar, Family and the Final Girl Smile
From suffering to a smile, and the bodies piled up along the way.
Beyond the Final Girl: Rape, Reverence and Revenge
On how Coralie Fargeat’s debut feature shifts away from the traditional male gaze leaving behind the gratuitousness.
Beyond the Final Girl: Hereditary and The Possessed Woman
How Ari Aster’s debut film defies the lazy ‘possessed woman’ characterization.
Beyond the Final Girl: Us and the Monsters Within
On the female hero and villain dynamics of Jordan Peele’s film, and how they’re flipped.
Kneel Before VOD: April 16th
Zach highlights some older and obscure titles available to stream for your quarantine viewing pleasure.
Beyond the Final Girl: It Follows and the Weaponizing of Sex
A look into how the 2014 horror film breaks the Final Girl mold.
For Fresh Eyes Only: GoldenEye & Tomorrow Never Dies
Marcus’ first-time journey through the 007 series hits a high point with this fresh and exciting one-two punch.
For Fresh Eyes Only: The Living Daylights & Licence to Kill
It’s a double dose of Dalton as Marcus looks at both of his outings as 007.
Beyond the Final Girl: We Need to Talk About Kevin and Motherhood in Horror
In the first in her new column, Hannah dives into the complex horror elements of Lynne Ramsay’s film.
Kneel Before VOD: February 14th
Alita: Battle Angel, Fighting With My Family, Toy Story 4, and more, are streaming now!
For Fresh Eyes Only: A View to a Kill (1985)
The final film of Moore’s run is a mixed bag but the action and female leads make it worthwhile, says Marcus.
For Fresh Eyes Only: Octopussy (1983)
Despite an unfortunate title, Marcus finds this to be another solid and fun entry for Moore’s Bond.
On Screen Projection: Haywire
What does Steven Soderbergh’s Haywire have to say about revenge, and does it have the right lead actress to say it?
For Fresh Eyes Only: Never Say Never Again (1983)
Marcus may never watch Never Say Never Again again.